Titles (20 Approx Matches)
Neuro (2004) | ||
Neurosia - 50 Jahre pervers (1995) aka "Neurosia-Fifty Years of Perversion" - USA aka "Neurosia" - Germany (short title) aka "Neurosia - Who Shot Rosa von Praunheim" - USA (video box title) | ||
Labyrinth (1959) aka "Neurose" - Italy | ||
Revenge in the House of Usher (1982) aka "Neurosis" | ||
Neuromancer (2011) |
Awakenings (encephalitis, Parkinsons Disease)Rainman (autistic disorder)Away From Her (Alzheimers Disease)M (psychotic disorder)The Diving Bell and The Butterfly (stroke)No, that's not right, either. "Neurocinema" has a short (and controversial) Wikipedia page:
Neurocinema is a new filmmaking process that studies a viewer's sensorimotor, cognitive, and affective response to film stimuli. Researchers use technologies such as functional magnetic resonance imaging (fMRI) to measure changes in activity in parts of the brain,electroencephalography (EEG) to measure activity in specific regional spectra of the brain response, and/or sensors to measure changes in one's physiological state (heart rate, respiratory rate, galvanic skin response) to learn exactly what scenes excite or disinterest the viewer.The entry was originally marked for deletion on Sept. 25 (as a neologism with little coverage), but apparently it was reinstated after articles appeared in Wired.com and CNN.com. This minimalistic and poorly written entry is also a source of free publicity:
Peter Katz and MindSign Neuromarketing have done early studies into neurocinema that Wired.com and CNN has covered.Dutifully following the links, here's what we learn from the CNN article:
Brain scans gauge horror flick fear factorLONDON, England (CNN) -- Film producer Peter Katz doesn't just want his horror movies to scare you. He wants to pinpoint how frightened you are down to an exact moment in a scene.To do that, he recently teamed up with researchers and used MRI scans of brain function to determine the degree of fright caused by certain scenes from his latest horror flick, "Pop Skull."For the experiment, researchers at functional MRI research facility Mindsign Neuromarketing, based in San Diego, California, scanned the brain activity of a subject [NOTE: my emphasis] while she watched two scenes of his movie. Analyzing the data from the scan, they were able to pinpoint the exact moments when her brain was lit up with fear.. . .During Katz's experiment, researchers analyzed scans to identify the exact moment during each film scene that the viewer's amygdala -- the part of the brain linked to several emotions, including fear -- was activated, and to what degree.Let's see where they went wrong scientifically: (1) Calling one subject "an experiment" -- was he making a movie just for her? (2) Saying fMRI can pinpoint the exact moment of anything -- there's a significant delay between initial neural firing and the peak of the hemodynamic response, which is estimated using a procedure that is not trivial for something as complex as an emotional response. (3) Using amygdala activity as a proxy for fear and thereby committing the cardinal sin of reverse inference (one cannot directly infer emotional state from the observed pattern of brain activity) -- didn't they learn from the op-ed neuroimaging fiasco in the New York Times ("This Is Your Brain on Politics")?
Recently they finished their first full test with results that could change the way films are made. Yes, someone had to lie still in an MRI machine. The objective of the research, specifically, was to determine the brain response in the amygdala to watching scenes from the horror film Pop Skull. For those that don’t know, the amygdala is the emotional center of the brain. It’s involved in feelings of disgust, anger, lust and fear — all emotions especially elicited during a horror film. [NOTE: because it doesn't matter if your audience is feeling horny or disgusted instead of scared.]. . .For two sessions of 48 seconds and 68 seconds, a 24-year-old female watched two scenes from the movie while being scanned in a Siemens 3T MRI scanner. With a 20-second break in between three viewings of each scene (to refocus her eyes to center), the data was converted into a BrainMovie... and analyzed by the team at MindSign. What they saw (and what you can see in the movie) is that for most of the two movie scenes, the amygdala lit up like a Christmas tree out of fear. This activity was pinpointed to the frame, the exact scene and action that registered the response. For instance, “The scariest moment in Scene 1 came when the hand reaches further around the corner.” It is that precise.Oh please spare me. I watched the BrainMovie and there were implausible jumps in activity from one frame to the next (compare "scary hand" at 2:42 to "scary hand again" at 2:48). Plus, don't you lose the element of surprise the second time you watch a specific scene? Who is going to see the infamous Alien chestburster scene the same way twice (i.e., 20 seconds after the first viewing)?